Interview: Gordon Monro
Published 2017-05-29 23:15 - (3729 Reads)reads starting from August 13 2020
Gordon Monro
Australia, Monash University, Department of Fine Art
GASATHJ
Generative Art Science and Technology hard Journal
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INFO
GA2024, the XXVII Generative Art Conference is planned in presence in Venice, at the UNESCO Regional Bureau for Science and Culture in Europe, on the 17-19 of December 2024. Visit the website https://generativeart.com for more info, for looking at the virtual 3D metaverse exhibition, and to read for free the book of proceedings of last events. You will find the call for papers on the generativeart.com website.
at https://artscience-ebookshop.com you can download the books of the proceedings of the last 26 Generative Art conferences (1998-2023), the books of Celestino Soddu and Enrica Colabella in Italian and English, and the book DIGITAL CIVILIZATION, Where Trees Move (2019) and Generative Art - Futuring Past (2019).
If you like to propose an article of yours about your generative approach, you can do it by sending your proposal to celestino.soddu at argenia.it. If your proposal is approved by the scientific board it will be published (it's free of charge)
If you like to be on the mailing list of Generative Art and GASATHJ, please send an email to celestino.soddu at argenia.it. We will send you no more than 3 emails per year
ARTICLES 7.6,5,4,3,2,1 issues, in progress
- interview with Celestino Soddu about creativity and AI
- Orogeny of the Mists
- The Analogies of Science and Art: Generative Art in Chemistry
- Music and Metacreation
- In the beginning was color
- Twisted bodies: annihilating the aesthetic
- Topology Imagination Creativity and Generative Approach
- Anatomy of the Creative Process in Viento y Mar
- Open Waters [NorthWest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
- The Regeneration of the Earth After Its Destruction by the Capitalist Powers
- A Generative Art of Our Own Evolutionary Transmutation
- Found Systems
- The Slow Cancellation of the Future
- Music and Image Synchronisation. Acoustical and Optical Expression in Paplanina
- Kobane#3 for cello and interactive system
- Towards Generative Art and Brain Computer Interfaces
- FilmGrain
- The Style Machine: digital tactility through generative collaboration
- Timaeus: A digital art studio inspired by antiquity
- Designing Generative Art. Mosaic concept, Creativity, and Idea in Generative Design
- Deconstruction/Reconstruction: A Pedagogic Method for Teaching Programming to Graphic Designers
- Random Hexagons and Other Pattern Continuities
- Surface and Structural Generative Processes in Music
- Automatic Synthesizing System of Choreography for Supporting Contemporary Dance Creation
- Degenerative Cultures
- Interview: Gordon Monro
- Coord - generative music improvisation
- Interview: Ming Xi Tang
- Generative semiotics at the foundations of literacy
- Interview: Umberto Roncoroni
- DRIFT – Virtual Sand in augmented Space
- Generative Dreams from Deep Belief Networks Generative Art and Deep Learning
- Generative experimental shortfilm
- Generative Film and Theories of Montage
- Futuring Past
- Johannes Vermeer : A generative artist ? So What ?
- Interview with Frieder Nake
- Generative Design Teaching 2013-14
- interview with Celestino Soddu by Nathan Shapira and Ricardo Gomes
- Wearable: A Generative Process for Surface Design
- Methodological approaches in the development of programs for generating images
- Journey through Mathematical Parallel Universes
- Interview with Georg Nees
- MusicaBlu. Generative Music Design
- Interview with Kurd Alsleben and Antje Eske
- Phillotaxis of the Vatican Pigna
- Computer Lithography - an Example of Science Art
- A Generative and Interactive Framework Enhancing Music Performances
- 3D Fractal Animations
- INIRE re-membering re-called - a second person narration in multimedia singing performance.
- Artificial Beings for Generative Art
- Paneling methods on complex surfaces
- Generative design: an interpretation
- Rhythmus in folding a page
- Interview with Herbert W. Franke
- Eternal Recurrence, Temporality, + Technology: how contemporary Computer Art can learn from early modes of Representing Time
- Generative Design
- Mandala Cruft
- Bio-Structural Analogies: Arms, Wings And Mechanical Things
- The Process of Integrating Polymedia in Blooms and Death
- The unit of vision : the concept of opsieme
- Variations around the Dragon Curve
- Data Mining, Forever, Green Architecture
- London Orbital
- Arlequi
- Use of Art Media in Engineering and Scientific Education